Here's what we found for the Creativity tag:
Using new visual computer modelling techniques, we show that artists use vision based techniques to guide the eye path of the viewer through their paintings in significant ways.
http://ivizlab.sfu.ca/research/rembrandt/Our lab has extensive experience in using different sensing technology including eye tracking and facial emotion recognition (DiPaola et al 2013), as well as gesture tracking and bio sensing heart rate and EDA (Song & DiPaola, 2015) which both affect the generative system and can be used to understand the reception to the generated graphics (still, video, VR).
http://ivizlab.sfu.ca/research/biosenseWhat is abstraction? Can you use AI techniques to model the semantics of an idea, object, or entity, where that understanding allows for abstraction of the meaning? We use several AI techniques including genetic programming, Neural Nets and Deep Learning to explore abstraction in its many forms. Mainly here in the visual and narrative arts.
http://ivizlab.sfu.ca/research/cogabstractThis research uses creative evolutionary systems to explore computer creativity for various applications: in our first pass - evolving a family of abstract portrait panter programs.
http://ivizlab.sfu.ca/research/creativegpUsing Cognitive Science as a basis for our work, we attempt to model aspects of human creativity in AI. Specially we are using Neural Networks (and evolutionary systems) in the form of Deep Learning, CNNs, RNNs and other modern techniques to model aspects of human expression and creativity. We are known for modelling expression semantics and generation of visual art (stills, videos, VR) but have extended our work into expressive forms of linguistic (word based) narrative.
http://ivizlab.sfu.ca/research/deepaiCan you build a computer parameterized model of the cognitive process or open methodology that human portrait painters use. This interdisciplinary toolkit research project automatically generates painterly output from people photographs and cognitive parameters.
http://ivizlab.sfu.ca/research/painterlyUsing new computer modelling techniques, we show that artists including Rembrandt, use vision based techniques (lost and found edges, center of focus techniques) to guide the eye path of the viewer through their paintings in significant ways...
http://ivizlab.sfu.ca/research/rembrandtOur open source toolkit / cognitive research in AI 3D Virtual Human (embodied IVA : Intelligence Virtual Agents) - a real-time system that can respond emotionally (voice, facial animation, gesture, etc) to a user in front of it via a host of gestural, motion and bio- sensor systems. The system uses SmartBody (USC) and MatLab Simulink as its control and AI system.
http://ivizlab.sfu.ca/research/virthumanInteractive Installation, with Wall Hanging Prints located Conf. of ACM SIGGRAPH, 2011.
Related Gallery: darwinsportraits
Mixing Cognitive & Artistic Knowledge in a Generative Painting System
One Person Show as part of the largest Darwin anniversary conference in the world
Related Gallery: darwinsportraits
Blurred Lines, Multi monitor multimedia Installation, Emily Carr University Gallery – co- located SIGGRAPH, 2014.
Woodwards Experimental Theater, Bringing out the Ghosts, 3 monitor and stills work
Large installation in IDMAa’s Ideas show
Related Gallery: darwinsportraits
Featured major exhibition commissioned for the Cambridge Science Festival
Related Gallery: darwinsportraits
Interactive, Networked Multi Projector work, LimeWharf , London, 2015.
DiPaola S—Procedia Computer Science. Special Issue: Bio Inspired Cognitive Architectures, Vol 41, pp. 212-219. 2014.
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DiPaola S, Sorenson N,—Book Chapter, Cartesian Genetic Programming, Editor: Miller J, 22 pages, in press.
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Choi S K, DiPaola S,—Proc ACM Conf on Human Factors in Computing Systems (CHI '15), , pp. 579-588, 2015.
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DiPaola S,—In Proc: Electronic Visualisation and the Arts, 10 pages, London. July. 2005.
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DiPaola S,—In Proc: Electronic Visualisation and the Arts, 10 pages, London, 2007.
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DiPaola S,—In Proc: Electronic Visualisation and the Arts, 8 pages, London, 2008.
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DiPaola S,—In Proc: Electronic Visualisation and the Arts, 7 pages, London, 2010.
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DiPaola S, Smith A, — Proc: Electronic Visualisation and the Arts, pp. 25-31. British Computer Society, London, 2013.
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Choi S K, DiPaola S,— Proc; Electronic Visualisation and the Arts, pp. 127-134. British Computer Society, London, 2013.
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Salevati S, DiPaola S,—Proc: Electronic Visualisation and the Arts, British Computer Society, 8 pages, London, 2015.
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Salevati S, DiPaola S,—Proc: Electronic Visualisation and the Arts, British Computer Society, 8 pages, London, 2015.
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Salevati S, DiPaola S,—Proc: Electronic Visualisation and the Arts, Florence, Florence, Italy, 8 pages, 2015.
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DiPaola S, McCaig R,—Proc: Electronic Visualisation and the Arts, British Computer Society, 8 pages, London, 2016.
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DiPaola S, Gabora L,—In Proc: GECCO Conf Companion on Genetic and Evolutionary Computation, (London,, July 07 - 11, 2007). GECCO '07, pp 2450-2456., ACM, New York, NY, 2007.
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DiPaola S, Gabora L,—Genetic Programming and Evolvable Machines Journal, Vol 10, No 2, pp 97-110, 2009.
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McCaig R, DiPaola S, Gabora L,—Proc: International Conference on Computational Creativity,
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Gabora L, DiPaola S, —Proc: International Conference on Computational Creativity, pp 203-211, 2012.
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DiPaola S, McCaig R, Carson K, Salevati S, & Sorenson N—Proc: International Conference on Computational Creativity, pp 40-4, 2013.
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DiPaola S,—In Proc: iDMAa Conference (Intl Digital Media and Arts Association), 7 pages, 2006.
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DiPaola S,—Intl Journal of Art and Technology, Vol 2, No 1-2, pp 82-93, 2009.
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Seifi H, DiPaola S, Arya A, —International Journal of Computer Games Technology, International Journal of Computer Games Technology, vol. 2011, Article ID 164949, 7 pages, 2011.
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DiPaola S, Riebe C, Enns J,—Leonardo, Vol 43, No 3, pp 145-151, 2010.
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DiPaola S,—In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, Keynote paper. pp 33-43, 2007.
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Sorenson N, Pasquier, P, DiPaola S,—Transactions on Computational Intelligence and AI in Games, Vol 3, No 3, pp 229-244, 2011.
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DiPaola S,—150 Years after Origin: Biological, Historical and Philosophical Perspectives, Proceedings of Canadian Darwin Conference, University of Toronto, 4 pages, 2009.
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Riebe C, DiPaola S, Enns J,—Journal of Vision, Vol 9, No 8, pp 368 (abstract), 2009.
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