Tag Search
Here's what we found for the AI tag:
art projects
AI Abstracts
Evolving Portraits
InsideOut I and II
Concerto for Virtual Strings and Faces
research projects
Bio Sensing System for 2D, 3D, VR
Our lab has extensive experience in using different sensing technology including eye tracking and facial emotion recognition (DiPaola et al 2013), as well as gesture tracking and bio sensing heart rate and EDA (Song & DiPaola, 2015) which both affect the generative system and can be used to understand the reception to the generated graphics (still, video, VR).
http://ivizlab.sfu.ca/research/biosense
Cognitive (AI) based Abstraction
What is abstraction? Can you use AI techniques to model the semantics of an idea, object, or entity, where that understanding allows for abstraction of the meaning? We use several AI techniques including genetic programming, Neural Nets and Deep Learning to explore abstraction in its many forms. Mainly here in the visual and narrative arts.
http://ivizlab.sfu.ca/research/cogabstract
Evolving Creative Computer Programs w/Genetic Programming
This research uses creative evolutionary systems to explore computer creativity for various applications: in our first pass - evolving a family of abstract portrait panter programs.
http://ivizlab.sfu.ca/research/creativegp
Deep Learning AI Creativity Research
Using Cognitive Science as a basis for our work, we attempt to model aspects of human creativity in AI. Specially we are using Neural Networks (and evolutionary systems) in the form of Deep Learning, CNNs, RNNs and other modern techniques to model aspects of human expression and creativity. We are known for modelling expression semantics and generation of visual art (stills, videos, VR) but have extended our work into expressive forms of linguistic (word based) narrative.
http://ivizlab.sfu.ca/research/deepai
GenFace - Exploring FaceSpace with Genetic Algorithms
genFace uses a genetic algorithm technique to search through a large multi-dimensional space of correlated faces -- making it possible to traverse a path from any face to any other face, morphing through locally similar faces along that path.
http://ivizlab.sfu.ca/research/genface
MusicFace
Music-driven Emotionally Expressive Face (MusicFace) creates 'facial choreography' driven by musical input. Structural and emotion data are extracted from the music via a fuzzy rule based system and remapped to 'equivelents' in face space.
http://ivizlab.sfu.ca/research/musicface
AI Virtual Human
Our open source toolkit / cognitive research in AI 3D Virtual Human (embodied IVA : Intelligence Virtual Agents) - a real-time system that can respond emotionally (voice, facial animation, gesture, etc) to a user in front of it via a host of gestural, motion and bio- sensor systems. The system uses SmartBody (USC) and MatLab Simulink as its control and AI system.
http://ivizlab.sfu.ca/research/virthuman
Virutal Beluga Project - Vancouver Aquarium
An interactive beluga whale pod simulation for the Vancouver Aquarium which uses realistic 3D graphics and an artificial intelligent system. It was informed by research data from the live belugas.
http://ivizlab.sfu.ca/research/vraquariumexhibitions
2011: Computational Aesthetics Art Show: Swimming away from Darwin Vancouver, BC
Interactive Installation, with Wall Hanging Prints located Conf. of ACM SIGGRAPH, 2011.
Related Gallery: darwinsportraits
2012: Annecy Art Festival (Cae12): Jane Portrait Series: Generative Paintings Annecy, France
Mixing Cognitive & Artistic Knowledge in a Generative Painting System
2009: Cambridge University, Kings Art Centre : Evolving Darwin’s Gaze Cambridge, UK
One Person Show as part of the largest Darwin anniversary conference in the world
Related Gallery: darwinsportraits
2015: Computational Aesthetics Art Show, Emily Carr University Gallery: Portraits Triptych: Meaning and Process III Vancouver, BC
Blurred Lines, Multi monitor multimedia Installation, Emily Carr University Gallery – co- located SIGGRAPH, 2014.
2015: Hidden Pasts, Digital Futures: A Festival of Immersive Arts: Bringing out the Ghosts Vancouver, BC
Woodwards Experimental Theater, Bringing out the Ghosts, 3 monitor and stills work
2010: Emily Carr Gallery / IDMAa: Darwin’s Gaze Vancouver, BC
Large installation in IDMAa’s Ideas show
Related Gallery: darwinsportraits
2009: MIT Museum, MIT : Evolving Darwin’s Gaze M.I.T, Cambridge, MA
Featured major exhibition commissioned for the Cambridge Science Festival
Related Gallery: darwinsportraits
2015: V&A Digital Futures (presented by Victoria and Albert Museum & Electronic Visualisation & the Arts): Reflections of Essence London, UK
Interactive, Networked Multi Projector work, LimeWharf , London, 2015.
publications
Experiencing Belugas: Developing an Action Selection-Based Aquarium Interactive
DiPaola S, Akai C, Kraus B,—Adaptive Behavior , Special Issue on Action Selection. Vol 15, No 1, pp 99-113, 2007.
PDF journal
Artificial Intelligence Systems in New Media Art and Design
DiPaola S,—Artciencia: Art & Science Journal, Vol 2, No 4, pp 1-8, August-October, 2006.
journal
Using a Contextual Focus Model for an Automatic Creativity Algorithm to Generate Art Work
DiPaola S—Procedia Computer Science. Special Issue: Bio Inspired Cognitive Architectures, Vol 41, pp. 212-219. 2014.
PDF journal
An Architecture for Personality-Based, Nonverbal Behavior in Affective Virtual Humanoid Character
Saberi M, Bernardet U, & DiPaola S,—Procedia Computer Science. Special Issue: Bio Inspired Cognitive Architectures, Vol 41, pp. 204-211. 2014.
PDF journal
A Model for Social Spatial Behavior in Virtual Characters
Karimaghalou N, Bernardet N, DiPaola S—Computer Animation and Virtual Worlds Journal, Special Issue on Action Selection. Vol 15, No 1, pp 99-113, 2007.
PDF journal
Cartesian Genetic Programming, Creativity and Art
DiPaola S, Sorenson N,—Book Chapter, Cartesian Genetic Programming, Editor: Miller J, 22 pages, in press.
PDF book
Blending Science Knowledge and AI Gaming Techniques for Experiential Learning
DiPaola S, Akai C,—In Proc: Canadian Game Studies Association (CGSA), 8 pages, Toronto, 2006.
proceeding
Blending Science Knowledge and AI Gaming Techniques for Experiential Learning
DiPaola S, Akai C,—Loading; Journal of the Canadian Games Studies Association, Vol 1, No 1, pp 1-9, 2007.
journal
The Role of Micronarrative in the Design and Experience of Digital Games
Bizzocchi J, Nixon M, DiPaola S, & Funk N, — Proc: Digital Games Research Association Conference (DIGRA), Atlanta, Georgia, pp. 161-197, 2013.
PDF proceeding
Affective Communication Remapping in MusicFace System
DiPaola S, Arya A,—In Proc: Electronic Visualisation and the Arts, 8 pages, London, England, July 26-31, 2004.
proceeding
Evolving Creative Portrait Painter Programs Using Darwinian Techniques with an Automatic Fitness Fun
DiPaola S,—In Proc: Electronic Visualisation and the Arts, 10 pages, London. July. 2005.
proceeding
Exploring Persian Rug Design Using a Computational Evolutionary Approach
Dalvandi A, Amini P, DiPaola S—In Proc: Electronic Visualisation and the Arts, pp. 121-128. British Computer Society. London, 2010.
PDF proceeding
A Creative Artificial Intelligence System to Investigate User Experience, Affect, Emotion and Creati
Salevati S, DiPaola S,—Proc: Electronic Visualisation and the Arts, British Computer Society, 8 pages, London, 2015.
PDF proceeding
Enhancing Viewer’s Emotional Connections to The Traditional Art Creative Process Via an AI Interacti
Salevati S, DiPaola S,—Proc: Electronic Visualisation and the Arts, Florence, Florence, Italy, 8 pages, 2015.
PDF proceeding
A Creative Artificial Intelligence System to Investigate User Experience, Affect, Emotion and Creati
DiPaola S, McCaig R,—Proc: Electronic Visualisation and the Arts, British Computer Society, 8 pages, London, 2016.
PDF proceeding
Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space
DiPaola S—Electronic Visualisation in Arts and Culture, Bowen, Keene, Ng, (Eds), pp 213-227, Springer, 2013.
PDF book chapter
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm
DiPaola S, Gabora L,—In Proc: GECCO Conf Companion on Genetic and Evolutionary Computation, (London,, July 07 - 11, 2007). GECCO '07, pp 2450-2456., ACM, New York, NY, 2007.
proceeding
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm
DiPaola S, Gabora L,—Genetic Programming and Evolvable Machines Journal, Vol 10, No 2, pp 97-110, 2009.
PDF journal
Deep Convolutional Networks as Models of Generalization and Blending Within Visual Creativity
McCaig R, DiPaola S, Gabora L,—Proc: International Conference on Computational Creativity,
PDF proceeding
How Did Humans Become So Creative? A Computational Approach
Gabora L, DiPaola S, —Proc: International Conference on Computational Creativity, pp 203-211, 2012.
PDF journal
Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on
DiPaola S, McCaig R, Carson K, Salevati S, & Sorenson N—Proc: International Conference on Computational Creativity, pp 40-4, 2013.
PDF proceeding
Evolving Portrait Painter Programs using Genetic Programming to Explore Computer Creativity
DiPaola S,—In Proc: iDMAa Conference (Intl Digital Media and Arts Association), 7 pages, 2006.
proceeding
Exploring a Parameterized Portrait Painting Space
DiPaola S,—Intl Journal of Art and Technology, Vol 2, No 1-2, pp 82-93, 2009.
PDF journal
A Framework for Exogenous and Endogenous Reflexive Behavior in Virtual Characters
Bernardet U, DiPaola S, —Proc Intelligent Virtual Agents. Springer.,
PDF proceeding
Simulink Toolbox for Real-time Virtual Character Control
Bernardet U, Saberi M, DiPaola S, —Proc Intelligent Virtual Agents. Springer.,
PDF proceeding
An Architecture for Biologically Grounded Real-time Reflexive Behavior
Bernardet U, Chollet M, DiPaola S, Scherer, S. —Proc Intelligent Virtual Agents. Springer.,
PDF proceeding
Shifting Boundaries: the Ontological Implications of Simulating Marine Mammals
DiPaola S, Akai C,—New Forms Festival Conference, Museum of Anthropology, 7 pages, Vancouver, 2005.
PDF proceeding
Investigating Face Space
DiPaola S,—In ACM SIGGRAPH 2002 Conference Abstracts and Applications, (San Antonio, Texas, July 21 - 26, 2002). SIGGRAPH '02. ACM, New York, NY, pp 207-207. 2002.
proceeding
Designing Adaptive Multimedia Interactives to Support Shared Learning Experiences
DiPaola S, Akai C,—In ACM SIGGRAPH 2006 Educators Program, (Boston), 6 pages, SIGGRAPH '06. ACM, New York, NY 2006.
PDF proceeding
Emotional Remapping of Music to Facial Animation
DiPaola S, Arya A,—In Proc: 2006 ACM SIGGRAPH Symposium on Videogames, (Boston), pp. 143-149, Sandbox '06. ACM, New York, NY, 2006.
PDF proceeding
A Generic Approach to Challenge Modeling for the Procedural Creation of Video Game Levels
Sorenson N, Pasquier, P, DiPaola S,—Transactions on Computational Intelligence and AI in Games, Vol 3, No 3, pp 229-244, 2011.
PDF journal
Darwin, Creativity, and Evolutionary Programming
DiPaola S,—150 Years after Origin: Biological, Historical and Philosophical Perspectives, Proceedings of Canadian Darwin Conference, University of Toronto, 4 pages, 2009.
proceeding