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Here's what we found for the PainterlyRendering tag:

art projects

Revisting Rembrandt

Revisting Rembrandt

Using new visual computer modelling techniques, we show that artists use vision based techniques to guide the eye path of the viewer through their paintings in significant ways.

Creativity, Vision, CogSci, PainterlyRendering

http://ivizlab.sfu.ca/research/rembrandt/

research projects

Deep Learning AI Creativity Research

Deep Learning AI Creativity Research

Using Cognitive Science as a basis for our work, we attempt to model aspects of human creativity in AI. Specially we are using Neural Networks (and evolutionary systems) in the form of Deep Learning, CNNs, RNNs and other modern techniques to model aspects of human expression and creativity. We are known for modelling expression semantics and generation of visual art (stills, videos, VR) but have extended our work into expressive forms of linguistic (word based) narrative.

AI, Vision, CogSci, Creativity, GenerativeDesign, PainterlyRendering, NPR, NeuralNets

http://ivizlab.sfu.ca/research/deepai
MusicFace

MusicFace

Music-driven Emotionally Expressive Face (MusicFace) creates 'facial choreography' driven by musical input. Structural and emotion data are extracted from the music via a fuzzy rule based system and remapped to 'equivelents' in face space.

AI, EmotionExpression, PainterlyRendering, CogSci, Character3D, FaceResearch

http://ivizlab.sfu.ca/research/musicface
Painterly Portrait NPR Project

Painterly Portrait NPR Project

Can you build a computer parameterized model of the cognitive process or open methodology that human portrait painters use. This interdisciplinary toolkit research project automatically generates painterly output from people photographs and cognitive parameters.

PainterlyRendering, Vision, CogSci, Creativity, EmotionExpression

http://ivizlab.sfu.ca/research/painterly
Rembrandt / Vision Science Work

Rembrandt / Vision Science Work

Using new computer modelling techniques, we show that artists including Rembrandt, use vision based techniques (lost and found edges, center of focus techniques) to guide the eye path of the viewer through their paintings in significant ways...

PainterlyRendering, Vision, CogSci, Creativity, FaceResearch

http://ivizlab.sfu.ca/research/rembrandt

exhibitions

2012: Annecy Art Festival (Cae12): Jane Portrait Series: Generative Paintings Annecy, France

Mixing Cognitive & Artistic Knowledge in a Generative Painting System

AI, Creativity, PainterlyRendering


2015: Computational Aesthetics Art Show, Emily Carr University Gallery: Portraits Triptych: Meaning and Process III Vancouver, BC

Blurred Lines, Multi monitor multimedia Installation, Emily Carr University Gallery – co- located SIGGRAPH, 2014.

AI, Creativity, PainterlyRendering


2015: Hidden Pasts, Digital Futures: A Festival of Immersive Arts: Bringing out the Ghosts Vancouver, BC

Woodwards Experimental Theater, Bringing out the Ghosts, 3 monitor and stills work

AI, Creativity, PainterlyRendering


2015: V&A Digital Futures (presented by Victoria and Albert Museum & Electronic Visualisation & the Arts): Reflections of Essence London, UK

Interactive, Networked Multi Projector work, LimeWharf , London, 2015.

AI, Creativity, PainterlyRendering



publications

1969: A Knowledge Based Approach to Modeling Portrait Painting Methodology

DiPaola S,—In Proc: Electronic Visualisation and the Arts, 10 pages, London, 2007.

proceeding

CogSci, Vision, PainterlyRendering, Creativity


The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv

1969: The Trace and the Gaze: Textural Agency in Rembrandt’s Late Portraiture, a Vision Science Perspectiv

DiPaola S,—In Proc: Electronic Visualisation and the Arts, 8 pages, London, 2008.

PDF proceeding

CogSci, Vision, PainterlyRendering, Creativity


1969: Face, Portrait, Mask – Using a Parameterized System to Explore Synthetic Face Space

DiPaola S,—In Proc: Electronic Visualisation and the Arts, 7 pages, London, 2010.

proceeding

CogSci, Vision, PainterlyRendering, Creativity


Expressive Animated Character Sequences Using Knowledge-based Painterly Rendering

1969: Expressive Animated Character Sequences Using Knowledge-based Painterly Rendering

Seifi H, DiPaola S, Arya A, —International Journal of Computer Games Technology, International Journal of Computer Games Technology, vol. 2011, Article ID 164949, 7 pages, 2011.

PDF journal

PainterlyRendering, Vision, CogSci, Creativity, FaceResearch


Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science

1969: Rembrandt’s Textural Agency: A Shared Perspective in Visual Art and Science

DiPaola S, Riebe C, Enns J,—Leonardo, Vol 43, No 3, pp 145-151, 2010.

PDF journal

PainterlyRendering, Vision, CogSci, Creativity, FaceResearch


Emotional Remapping of Music to Facial Animation

1969: Emotional Remapping of Music to Facial Animation

DiPaola S, Arya A,—In Proc: 2006 ACM SIGGRAPH Symposium on Videogames, (Boston), pp. 143-149, Sandbox '06. ACM, New York, NY, 2006.

PDF proceeding

AI, EmotionExpression, PainterlyRendering, CogSci, Character3D, FaceResearch


Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach

1969: Painterly Rendered Portraits from Photographs using a Knowledge-Based Approach

DiPaola S,—In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, Keynote paper. pp 33-43, 2007.

PDF proceeding

PainterlyRendering, Vision, CogSci, Creativity, EmotionExpression


1969: Quantifying artist’s use of human vision constructs to influence viewer eye gaze,

DiPaola S,—In Proc: SPIE Human Vision and Imaging, Int. Society for Optical Engineering, 6 pages, 2009.

proceeding

PainterlyRendering, Vision, CogSci


Following The Masters: Viewer Gaze is Directed by Relative Detail in Painted Portraits

1969: Following The Masters: Viewer Gaze is Directed by Relative Detail in Painted Portraits

Riebe C, DiPaola S, Enns J,—Journal of Vision, Vol 9, No 8, pp 368 (abstract), 2009.

PDF journal

PainterlyRendering, Vision, CogSci, Creativity, FaceResearch



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